Excavated Self, 2013
"Silent Chorus" is an installation about the many issues affecting women - from unperceptive daily discrimination to femicide. "Silent Chorus" uses as a reference, a tragic chorus in classic theater, where the collective stood for the personal and was used to discuss issues affecting individuals in a universal way. [Silent Chorus is a 16 sculpture installation. The work has a triangular configuration.]
For the creation of this work I used a process I learned while living in Baños del Incas in the Andes of Perus in 2005 and studying under an old ceramist, Maestro Cabreira, that restored Pre-Colombian ceramic. I adapted that process to create a reversed sculpture and I developed a way to paint them with dirt, terra-cota like.
“Coro of Womennequins” 2013-2017 (chorus of mannequins) 16 sculptures about issues affecting women. The first was created in 2013 and last in 2017.
Coro of Womennequin #1 (2013) #2 and #3 (2014)
Womennequin #4 (part of the chorus of womennequins)
Coro of Womennequin #5 and #6
“The Goddess of Wisdom, Beauty, Fraternity, Justice and Truth” 2016 wax over wood and found parts
“Bride” 2015 [work shown at William King Museum in 2016 - [private collection]
“Transfixed” 2016
“A Hymn to my Mother’s Tear at the Kitchen Table” 2019 [work showed at MOCA-VA in 2019]
“The Most Beautiful Woman Alive” [detail} 2013
“Breaking Bread” 2019 [concrete, barbed wire and dirt] as installed during the exhibition Museum of Capitalism at Parsons School, NYC photo by Marc Tutti
“Cova” 2020
[private collection]
“March -The People” 2017 [detail of installation]
“Vestige” [shown at William King Museum 2019]
“Severed” 2017 (detail, installed at Santa Fe Art Institute in 2017)
“Cruxi” [2019}